Anthony Bourdain Origin Story ‘Tony’, ‘Teenage Sex And Death At Camp Miasma’, ‘Late Fame’ In Dynamic Indie Weekend — Specialty Preview

A dynamic selection of indies starts rolling out today with Dominic Sessa as a young Anthony Bourdain in Matt Johnson’s Tony, indie director Jane Schoenbrun’s latest, Teenage Sex And Death At Camp Miasma with Hannah Einbinder and Gillian Anderson, documentaries on cheesemongers, Girl Scout cookie season, and small town

The protagonists of two films, an Anthony Bourdain bio-pic and a drama about a neglected poet, find themselves struggling with their writerly destinies.

The filmmaker behind ‘BlackBerry’ and ‘Nirvana the Brand the Show the Movie’ is tackling the early life of the Internet’s patron saint of good travel, great conversation and even better food.

SPOILER ALERT: This story contains spoilers for “Teenage Sex and Death at Camp Miasma,” in theaters now via Mubi. “Teenage Sex and Death at Camp Miasma,” the third feature from writer-director Jane Schoenbrun, is not the film you think it is. While it does fit thematically with their two previous impressionistic horror

Filmmaker Jane Schoenbrun's ode to the guilty pleasures of slasher flicks — and the movies themselves — is one of the best things you'll see all year

The movie stars Dominic Sessa as a 19-year-old Bourdain—“spoiled, miserable, narcissistic, self-destructive, and thoughtless,” in the writer’s own words—decades before he became a celebrated memoirist and TV host. But just how much of Tony is true?

Matt Johnson's captivating origin story details the bumpy rise of a ne’er-do-well who made good

Hannah Einbinder and Gillian Anderson star in "Teenage Sex and Death at Camp Miasma," a queer, hilarious slasher from "I Saw the TV Glow" maker Jane Schoenbrun. Review.

It was an unexpected turn of events after seeing Jane Schoenbrun's buzzy third feature “Teenage Sex and Death at Camp Miasma.”which received its Chicago premiere at Mubi Fest in July. Suddenly, after nearly 30 years of not thinking about the Counting Crows, their 1996 ballad “A Long December” was firmly stuck in my hea

Hannah Einbinder and Gillian Anderson star in an exhilarating tale of a filmmaker rebooting a problematic slasher franchise.