‘The Idiot(s)’ Review: Dostoevsky Is an Endearing Drunken Fool in This Rambunctious, Tonally Off-Kilter Two-Hander

As biographical films on major historical figures go, “The Idiot(s)” starts off with an advantage over most, since it covers only a finite, conflict-laden passage of its subject’s storied life. This enjoyably off-kilter dramedy then further ingratiates itself with viewers bored of traditionalist hagiographies, because it also functions as a biting exercise in separating the…