‘Nowhere to Lay My Eyes’ Review: Kim Minhee Once More Gives a Melancholy Masterclass in a Hong Sangsoo Miniature

The death-and-taxes certainty of Hong Sangsoo’s filmography — comparable to Woody Allen’s prime career run in its regularity, consistency and recurrence of ideas and actors across a gently varying tonal spectrum — has lately been infused with some mild unpredictability. Earlier this year, his Berlinale premiere “The Day She Returns” continued an occasional experimental jag…