Even the cover revels in a low-bit digital aesthetic. | Image: Saddle Creek / Feeble Little Horse From the opening moments of bitknot, it's obvious that Feeble Little Horse has found an entirely new gear. Where on Girl with Fish the blown-out textures were more '90s indie rock and shoegaze, on their latest LP, there's a more modern edge to the distortion and the riffs cut cleaner. Similarly, where the digital glitchiness was mostly relegated to window dressing on their sophomore record, on bit